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There’s extra to the work of Christopher David White than meets the attention. At first look, it seems that his surreal sculptures are meticulously carved from wooden. But, look once more. The items aren’t fabricated from wooden; they’re handcrafted from clay. By mimicking the feel and grain of the wooden (even its knots), White is ready to convincingly craft the human type in order that it seems prefer it’s been carved and chipped away from a block of timber versus being constructed from the bottom up.
White makes use of trompe-l’œil to make a robust assertion in regards to the place of humanity on the planet. “Human is to nature as skin is to bark—as roots are to veins,” he writes. “Humanity is inextricably linked to the natural world. Our biological patterns are echoed throughout the universe, from the micro to the macro, from our DNA to the cosmos. Yet we have created barriers between ourselves and nature. We have placed ourselves into opposition with this world that sustains us. We have become outsiders to everything that makes us who we are.”
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