In a brand new venture, Inés has collaborated with certainly one of her finest associates and photographer Sara Bastai, conceived with items designed by jewelry designer Zelda Passini. In one picture, we see a cropped visible of a lady’s face, tears steaming down her translucent pores and skin and eyes as blue as a transparent summer season’s sky. Another picture can be cropped, however this time our gaze is on a lady’s palms as she touches the again of her neck. Created initially of the pandemic, Inés calls this a “special” venture, as they determined to work collectively whereas in isolation.
“We were locked up at home and we had this collaboration in mind – we decided to do it during those two weeks of isolation together with my other flatmate, Joanna (who is captured in the pictures). We used the cheesy story of the movie Ghost as inspiration but transferred to a relationship between two women. We attempted to represent the feeling of frustration when the ghost tries to touch his beloved but, of course, he can’t because he is no longer a body.” This conjures up imagery of disconnection and the craving for human contact, which in fact have been skilled by many in the course of the pandemic. “It’s a metaphor for the lack of physical contact that we were all experiencing at that time.”
In one other piece, Inés steers away from the format of paint and as a substitute turns her focus on set up. Draped material hangs off a twisted wire hanger, whereas the fabric is adorned in painterly visuals – very like the work we’re seeing all through the remainder of her portfolio. Somewhat harking back to Renaissance portray, we catch glimpses of cherubs and grapes as they peak by way of the folds of the material. “It aims to explore desire and love, and how sometimes in our experiences we get them mixed up,” she says. “I believe that desire is the engine that drives human life, it makes us dream, it vindicates life, pleasure, self-realisation and freedom.”
All of Inés’ artworks have a deep-rooted idea beneath the floor. She strives for duality, whether or not that’s by way of the thought, the narrative or the fabric selections. “I want the pieces to emphasise the feeling and the price we have to pay when the object we desire may not be the best for us, even if it satisfies our appetite,” she says. Yet regardless of these underlying messages, Ines hopes you’ll interpret your individual tales type her works – they’re free for all to get pleasure from and expertise. “On the other hand, speaking in very general terms, I would like the kind of messages that my pieces transmit to be of sorority; messages that communicate that you are not alone in living what you are living, or feeling what you are feeling, and challenging the way of representation that is established by social standards.”